What good creators lack is never inspiration — it is everything after the shoot: where to publish, who will watch, where the money comes from. Taily solves all three at once: one account for dramas and film-games, finished work goes straight into recommendations, gig income and revenue share land together.
Dramas and film-games are made at the same desk. A finished story can be cut into three-minute episodes or grown into a playable branching film-game — no second project, no second toolset to learn.
Hand in the cut and the rest is ours: review, scheduling, subtitle localisation in 34 languages, regional releases, and traffic from the app's recommendation feed. No account to run, no algorithm to decode.
The marketplace carries real briefs for scripts, shoots, edits, voice and translation every day, with a stated price and a deposit already paid. See one that fits, take it in a click: escrowed funds, staged sign-off, paid on delivery.
Drama revenue share, film-game ending unlocks, audience tips, plus your gig fees — at least four income lines from one creation, each of them visible, reconcilable and on time in the settlement centre.
One person, one old script, one small studio, one student club. Different starting points, the same toolkit: the Agent helps you shoot, the platform distributes, the marketplace brings gigs, and the settlement center keeps the books.
Full-time mum Lin Xiaoman handed a bedtime story she made up for her daughter to the Drama Agent. Eight animated episodes were out by Friday night and on the recommended page by Monday. Viewers kept voting, and 8 episodes became 24.
6.2M plays in month one · renewed to 24 episodes
Former screenwriter Lao Zhou imported a finished short drama into the Film-Game Agent and grew five endings in two weeks, without a new project or a rewrite. Ending unlocks became the work’s second revenue line.
78% completion rate · ending unlocks are 41% of revenue
The first gig was 40 episodes of Arabic subtitles. Escrow and staged acceptance let an unknown new studio win large orders. All six members met in the marketplace.
1,200 episodes delivered · 9 languages
Twelve students split up writing, shooting and editing, then left everything after delivery to the platform: review, scheduling, subtitles in 34 languages and multi-region release. Their farthest viewer is in São Paulo.
63% of plays from overseas · the club’s first revenue share
Cases are illustrative and will be replaced with real, cleared creator data.
Among 12,000 certified creators there are stay-at-home parents, former screenwriters, translation studios and university clubs. Here are three first gigs.
“My first gig was Arabic subtitles for forty episodes. Before I took it I did not even know what a deposit was. We are six people now, all of them met on the marketplace.”
“I dropped a bedtime story I made up for my daughter into the Drama Agent. Eight episodes were done by Friday night. On Monday it was on the recommendation page.”
“The audience voted for the one storyline I never wanted to write. That episode became the most watched of the whole series. I have learned to keep quiet.”
Certification takes one business day. Individuals and companies are both welcome.